MILAN, Jan. 17, 2011 Menswear

Arek Monday, July 4, 2011
MILAN, Jan. 17, 2011 Menswear 
Alexander McQueen

Check us enough in a season and likely will tire of the same old faces and parade down the catwalk with a regular tick. Walking hangers. But occasionally, there is a show where the sharing model adds a lot to the atmosphere of the collection you're left to wonder why the designers did not have more out of the box models of the moment. It happened with Alexander McQueen night.

The face of each model was a complement to the clothes worn in the collection of English for excellence has been remarkably strengthened. For all the people knew that the boys could have been from Kentucky or Kazakhstan, but McQueen dress, which Rough Trade of Oscar Wilde, or stiff upper lippers Powell and Pressburger film classic of the Second World War, or War Military cadets Napoleonic.

The blessing of the bone structure and genetics Guido Palau spic-and-span public school hair had something to do with the effect, but ultimately it was the clothing Sarah Burton, who allowed the models to provide an analysis of man English style.

Burton McQueen historical novel projects, and with almost frightening ease, but he brought his irreverent collection of transparency, oversized pants paired with a military clothing is just one example of influence. Coats was a camp drama and a big plaid ponchos. If this seemed a real-iness McQueen, designers made down the rest of the drama for some customization pound. One hand was as soft as a cardigan, the other was firm, square shoulders, the other was still at its peak, the pagoda. Burton is a master in his eye accuracy, and the press, too, which is designed jacquard duplicate Sheen and the chest plate of the regiment. To some eyes, they also suggested the clouds of heaven, he could hardly fail to reject the association.

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